Meet the Musicians
Milena Viotti, cornet
Watch full video here.

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Hornist Milena Viotti introduces herself and talks about the 2017 Asia Tour.

Watch full video here.

Programm
Un:erhört – chamber concert of the Hermann Levi Academy

The Hermann Levi Academy supports talented young musicians by giving them the opportunity to practice with the orchestra under professional conditions, discovering  opera literature with its specific requirements as well as symphonic music.

The Bayerisches Staatsorchester’s Hermann Levi Academy was originally founded in 2002 under the name “Orchestra Academy of the Bayerisches Staatsorchester”. Its task was to pass on the traditions of one of the oldest German orchestras to young musicians and consequently keep this particularly special sound and performance culture alive for subsequent generations. Since July 2021, the Orchestra Academy has included the “Hermann Levi Academy” title in its name to honour Hermann Levi’s importance in the world of music and in particular his forward-looking creativity at the National Theatre in Munich.

On March 20th, the Hermann Levi Academy will present itself in the Alte Pinakothek, playing Ludwig van Beethoven’s Trio op. 78, arranged for horn, trumpet and trombone, the wind quintet in C major op. 79 by August Klughardt, the fantasy C minor for harp solo op. 35 by Ludwig Spohr and Beethoven’s string quartet in C minor op. 18 no. 4.


Photo credit: Frank Bloedhorn


 

 

Programm
On the program of the 4th Chamber Concert 2022/23: Music around Richard Strauss

At the age of 23 Richard Strauss was Kapellmeister in Meiningen; during this time he composed the Sonata in E flat major for violin and piano op. 18, in which the musical influence of Johannes Brahms, 31 years older, can be felt. Karl Amadeus Hartmann himself named “Strauss’s Salome und Elektra” as the central influence of his first compositions. Hartmann founded the Munich concert series musica viva, and some of his early works were premiered at the Bavarian State Opera, where he even worked as dramaturge from 1945. In his 1932 Little Concerto for string quartet and percussion, the percussion enriches the string ensemble with unusual timbres. Two months before the premiere of Hans Pfitzner’s opera Palestrina, Thomas Mann expressed his anticipation in a letter to the composer, because “it will mean an apotheosis of the music itself, nothing less”. Before that premiere in 1917 was actually to become Pfitzner’s triumph in Munich, he composed his piano quintet op. 23. It was first performed in 1908 and was dedicated to Bruno Walter, who later became General Music Director of the Bayerisches Staatsorchester.


Photo credit: Magdalena König


 

 

Eindrücke
Applause after the premiere of War and Peace

On March 5th, Sergei Prokofiev’s opera War and Peace premiered at the National Theatre in a production by Dmitri Tcherniakov. The general music director Vladimir Jurowski conducted the Bayerisches Staatsorchester, the Bayerische Staatsoper Chorus and the additional choir of the Bayerische Staatsoper. The opera also requires a huge ensemble of singers to embody the numerous roles.


Photo credit: Wilfried Hösl


Meet the Musicians
Porth timpani

Miriam Noa from the Munich City Museum and the two solo drummers from the Bayerisches Staatsorchester, Pieter Roijen and Ernst-Wilhelm Hilgers, will be showing an instrument that was used in Munich premieres of Richard Wagner’s operas.

Meet the Musicians
Strohfiedel

In this video, Claudio Estay informs about the Strohfiedel, a special xylophone that is still used during performances of Richard Strauss’ Salome by the Bayerisches Staatsorchester.

 

Ensembles
Schumann Quartet
http://www.schumann-quartett.de .

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Consisting of members of the Bayerisches Staatsorchester, the Munich Schumann Quartet performed Béla Bartók’s early piano quintet and Arnold Schönberg’s 2nd string quartet with soprano in 1994, the year it was founded. Since then, invitations to concert tours and festivals in Europe, Japan and the USA have followed. The close cooperation with singers and composers enables the ensemble to perform rarely heard works as well as world premieres and experimental pieces in addition to the widely diversified common quartet repertoire, which combine video and language arts beyond pure tonal language. The first violinist Barbara Burgdorf is concert master of the Bayerisches Staatsorchester. Traudi Pauer has been playing here since 1996. Stephan Finkentey has been deputy principal violist since 1988, and one year later Oliver Göske joined the Bayerisches Staatsorchester. For the Schumann Year 2010, the quartet recorded two double CDs, which are available in stores or via http://www.schumann-quartett.de .

Meet the Musicians
Isolde Lehrmann, 2nd violin

In her free time, Isolde Lehrmann likes to photograph still lifes and portraits.


Photo credits: Wilfried Hösl


 

Eindrücke
4th Academy Concert 2022/23 (Mehta)

Great rejoicing after the 4th Academy Concert for the Bayerische Staatsorchester, its former general music director Zubin Mehta, the violinist Vilde Frang and the composer Minas Borboudakis.


Photo credit: Wilfried Hösl


Eindrücke
Ceremony 500 years Bayerisches Staatsorchester

On January 8th, the anniversary year of the Bayerische Staatsorchester got off to a brilliant start with a concert in the Nationaltheater. General music director Vladimir Jurowski conducted. The invited guests included Ilse Aigner, President of the State Parliament, and Markus Blume, Bavarian Minister of State for Science and Art, who both gave speeches.


Photo credit: Wilfried Hösl


BSOrec
Bayerische Staatsoper Recordings: OPERcussion
Webshop


Photo credit: © EVISCO


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Unique in its kind, OPERcussion, the virtuoso percussion quintet, brings the art of percussion from the depths of the orchestra pit to the front row, realizing a new model of artistic creation while respecting history and championing innovation.

When we study the history of the Bayerische Staatsoper, we learn that the first timpanist with a contract began in 1600 in what was then the Court Orchestra. In more than 400 years of musical tradition, the greatest composers and conductors in history have influenced the members of this traditional orchestra and promoted chamber music activities. The members of the percussion group have not escaped this call and since 2008 have been organized in the formation OPERcussion. Thomas März, Pieter Roijen, Maxime Pidoux, Carlos Vera Larrucea and Claudio Estay bring to the ensemble their virtuosity, their knowledge, the traditions of their countries of origin and their peculiarities. This international ensemble has distinguished itself in the world of percussion and in the music scene in general for the innovation and diversity of its programs, which include collaborations and commissions with contemporary composer:s, as well as arrangements of music not originally written for percussion, from the eras: Baroque, Classical and Impressionist to the interpretation of Latin American music with grandiose improvisational ideas.

Webshop


Photo credit: © EVISCO


Eindrücke
4th Academy Concert 2022/23 (Mehta)

Here the former General Music Director Zubin Mehta rehearses together with the violinist Vilde Frang and the Bayerische Staatsorchester for the 4th Academy Concert. The composer of the specially commissioned world premiere, Minas Borboudakis, was also present.


Photo credit: Wilfried Hösl


Meet the Musicians
David Schultheiss, 1st violin (1st concertmaster)

Among his childhood heroes there were sporting heroes such as Karl Allgöwer (his direct free-kick goals – awesome!), Lothar Matthäus and Boris Becker and of course also violinist-musical ones like Henryk Szeryng, David Oistrach and especially Gidon Kremer. The best hall in which David Schultheiss has played so far is the Suntory Hall in Tokyo. He also has a special memory of a concert in the aforementioned Suntory Hall: David Schultheiss has never experienced such a tense and expectant silence from the audience between the applause for the conductor and the first sound of the concert.


Photo credit: Wilfried Hösl


Meet the Musicians
Christian Loferer, horn

In addition to Munich, Christian Loferer feels very comfortable in Sydney and San Francisco. He has busked in Edinburgh before, and if he could make any activity an Olympic event, time telling would give him the best chance of winning a medal.


Photo credit: Wilfried Hösl


Meet the Musicians
Julia Pfister, 2nd violin

Her childhood heroes are The Three Investigators: She heard Paganini for the first time in these radio plays and then absolutely wanted to play it. A special concert for Julia Pfister was the concert with Kirill Petrenko as part of the 2016 European tour at La Scala in Milan. Everyone was in the flow and the atmosphere was unforgettable!


Photo credit: Wilfried Hösl


Meet the Musicians
Barbara Burgdorf, 1st violin (concertmaster)

For Barbara Burgdorf, the best thing about her job is the beauty it offers for the soul, for herself and for others. If she hadn’t become a musician, she would probably have been a biologist.


Photo credit: Wilfried Hösl


Meet the Musicians
Florian Gmelin, double bass (solo)

His favorite book is Trials and Tribulations by Theodor Fontane and Carlos Kleiber is his favorite conductor. Florian Gmelin would have loved to work with him one day.


Photo credit: Wilfried Hösl


Programm
4th Akademiekonzert 2022/23

The long-standing collaboration between the Greek composer Minas Borboudakis and the Bavarian State Orchestra has borne fruit, such as the “Musical Theatre for Young People in Eight Scenes” premiered in 2007 entitled liebe.nurliebe, but also Synaptic Arpeggiator for piccolo, English horn, E-flat clarinet, bass clarinet and contrabassoon and most recently the German and German-language premiere of the chamber opera Z in the 2018/19 season. In the composition commissioned by the Bavarian State Opera for the 500th anniversary of the Bavarian State Orchestra entitled Apollon et Dionysos. Patterns, Colors and Dances for Orchestra Borboudakis is dedicated to the musical fusion of Apollonian and Dionysian opposites. Friedrich Nietzsche already stated in his fundamental writing The Birth of Tragedy Out of the Spirit of Musicthat “the further development of art is bound to the duality of the Apollonian and the Dionysian”: light, clarity, harmony and self-knowledge on the one hand and dissolution of boundaries, ecstasy, madness and loss of control on the other side. The ancient god Apollo adorns the gable of the National Theatre Munich to this day.

Felix Mendelssohn Bartholdy’s popular Violin Concerto in E minor was written by the composer for his friend, the violinist Ferdinand David: “I
I would also like to make you a violin concerto for next winter, one
in E minor stands in my head, the beginning of which gives me no rest.” After this announcement, seven winters should elapse before the world premiere in Leipzig. The result is a visionary work that comes up with some compositional innovations: namely the direct introduction of the main theme by the violin without an orchestral prelude, the position of the solo cadenza in the middle of the first movement and the special feature that all three movements musically merge into one another.

Two formative events in Anton Bruckner’s life flowed into his work on the sprawling Symphony No. 7 in E major: the tragic fire in the Vienna Ringtheater in 1881, in which several hundred people lost their lives, occurred at the time of its composition. Bruckner’s apartment was in the immediate vicinity of the Ringtheater, and the composer is said to have owned tickets for the fateful performance of Les contes d’Hoffmann, but spontaneously decided against going there. Bruckner and his manuscripts were spared from the fire. The slow Adagio as the center of the symphony can be understood as a requiem for the death of Richard Wagner in February 1883, which is given special colors by the use of so-called Wagner tubas (these were originally conceived for the Ring des Nibelungen). After Bruckner’s Seventh Symphony had already sparked a storm of jubilation at its premiere in Leipzig in 1884 – such positive reactions from the audience were a new experience for the hitherto rather ridiculed Bruckner – Hermann Levi, from 1872 to 1896 General Music Director and Court Kapellmeister at the Royal Court and National Theatre in Munich, conducted just one year later the Munich premiere of the work as part of the Musikalische Akademie. Levi also helped spread the work internationally by raising money for its publication, which the publisher was asking for. In Levi’s report on Bruckner’s works, the conductor finally ennobles the composer: “In my opinion, Bruckner is by far the most important symphonist of the post-Beethoven period.”


Photo credit: The Ringtheater fire in Vienna 1881. 19th century, Colored lithograph. Theatermuseum © KHM-Museumsverband


Meet the Musicians
Johannes Dengler, horn (solo)

Johannes Dengler decided at the age of 10 that he wanted to be a musician after realizing that he couldn’t become an astronaut due to travel sickness. His best medicine for stage fright is practice, practice, practice …


Photo credit: Wilfried Hösl


Eindrücke
Applause after the premiere of Dido and Aeneas … Expectation

On January 29th, the Munich audience celebrated the new production Dido and Aeneas … Expectation and its protagonists: the conductor Andrew Manze, the production team around the director Krzysztof Warlikowski and the singer ensemble (Ausrine Stundyte, Günter Papendell, Victoria Randem, Rinat Shaham, Key’mon W. Murrah, Elmira Karakhanova).


Photo credit: Wilfried Hösl


Programm
Director Krzysztof Warlikowski about DIDO AND AENEAS ... ERWARTUNG

Director Krzysztof Warlikowski gives first insights into his production of Dido and Aeneas ... Erwartung: The combination of Henry Purcell’s baroque opera and Arnold Schönberg’s monodrama composed more than 200 years later has its premiere on January 29th at the Nationaltheater.

Meet the Musicians
Verena-Maria Fitz, 1st Violin

Verena-Maria Fitz likes to take a vacation in South Africa because her husband was born and raised there, and in South Tyrol. May is her favorite month because it is fresh and colorful and summer is still ahead.


Photo credit: Wilfried Hösl


Eindrücke
OPERcussion: Original Grooves

On January 20, 2023, OPERcussion performed in the Muffathalle and presented their new CD “Original Grooves”.

Ensembles
OPERcussion
https://www.youtube.com/watch?v=7oiPF874mZk


Photo credit: Dominik Gigler


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Unique in its kind, OPERcussion, the virtuoso percussion quintet, brings the art of percussion from the depths of the orchestra pit to the front row, realizing a new model of artistic creation while respecting history and championing innovation.

When we study the history of the Bayerische Staatsoper, we learn that the first timpanist with a contract began in 1600 in what was then the Court Orchestra. In more than 400 years of musical tradition, the greatest composers and conductors in history have influenced the members of this traditional orchestra and promoted chamber music activities. The members of the percussion group have not escaped this call and since 2008 have been organized in the formation OPERcussion. Thomas März, Pieter Roijen, Maxime Pidoux, Carlos Vera Larrucea and Claudio Estay bring to the ensemble their virtuosity, their knowledge, the traditions of their countries of origin and their peculiarities. This international ensemble has distinguished itself in the world of percussion and in the music scene in general for the innovation and diversity of its programs, which include collaborations and commissions with contemporary composer:s, as well as arrangements of music not originally written for percussion, from the eras: Baroque, Classical and Impressionist to the interpretation of Latin American music with grandiose improvisational ideas.

On January 20th, the drum quintet OPERcussion performed in the Muffathalle and presented their new CD on the in-house label BSOrec. Here you can experience the ensemble in a recording of the 10th Monday Concert 2020 with a varied program from Mozart to Claude Debussy to Astor Piazzolla in their own arrangements together with the violinist Julia Pfister, who also performed in the Muffathalle with OPERcussion:

https://www.youtube.com/watch?v=7oiPF874mZk


Photo credit: Dominik Gigler


Ensembles
OperaBrass

OperaBrass is one of the chamber music ensembles of the Bavarian State Orchestra. Although the formation also exists in the classic brass quintet formation, it is preferable to enter the stage with four trumpets and trombones, a horn, tuba and, in some cases, drums.

In 1996 the eleven musicians made their debut with two concerts in the Cuvilliés Theater in the Munich Residenz with a program made up of works from a wide variety of stylistic periods. Since all ensemble members are not only at home in classical music, but have also gained a wide range of experience from jazz to pop, this type of music also plays a major role in the formation’s repertoire. Arrangements of opera highlights, jazz standards and big band evergreens specially designed for OperaBrass were commissioned. In addition, the trumpeters Andreas Öttl and Frank Bloedhorn have also contributed their own arrangements to the repertoire. The two musicians are particularly attracted by the fact that they can use all their instruments in the ensemble – from the piccolo trumpet to the flugelhorn.

A tour with the cabaret artist Bruno Jonas and the program “Full Pipe - Hot Air” took them off the beaten track: a satirical tin, so to speak, the content of which dealt with no less than 400 years of love and death in the opera.

The musical collaboration with two former General Music Directors of the Bavarian State Opera, Zubin Mehta and Kent Nagano, and other renowned conductors such as the baroque specialist Ivor Bolton played an important role in the artistic development of the ensemble.

In 2006, OperaBrass organized a concert together with the world-famous King’s Singers in the Prinzregententheater. Under the title “In Perfect Harmony”, both ensembles spanned the musical arc over the centuries. With Wagner & Friends, the musicians from OperaBrass 2012 ventured directly from the orchestra pit onto the stage of the National Theatre with a real crossover programme. Every summer OperaBrass are also involved in the Unicredit Festival Night at the beginning of the Munich Opera Festival.

Apart from that, you can experience the ensemble at the chamber concerts of the Bavarian State Opera and on tours. More recently, after the European tour in 2016 with the Bayerisches Staatsorchester and a guest performance in Asia in 2017, they went to Mallorca in September 2018, where the Munich brass band were guests in Palma Cathedral for the second time.


Photo credits: Wilfried Hösl


Programm
Concert program of the 3rd chamber concert 2022/23: Brass band music from the old days

At the 3rd chamber concert on January 15th, 2023, the OperaBrass ensemble will present a program in the Allerheiligen Hofkirche that is reminiscent of the beginnings of the Bavarian State Orchestra in the 16th century, when the Munich court orchestra at that time was used especially to represent the Bavarian dukes. A chronicler’s report is dated December 10th, 1565 and refers to the heyday of the Munich court orchestra at the time of Albrecht V: “they had three kinds of music during supper: [...] first played on cornetts and trombones, the other sung by several singers, accompanied by fifes and trombones. The third of 5 flutes and a trombone”. The composer Orlando di Lasso, who was already highly regarded internationally at the time, had been engaged to conduct the court orchestra two years earlier, and his pupil Giovanni Gabrieli also worked in Munich a few years later. A polychoral composition by Gabrieli was already heard at the 3rd Academy Concert in 2023 – also performed by brass players from the Byerische Staatsorchester.


Photo credit: Magdalena König


Eindrücke
Festakt: 500 Jahre Bayerisches Staatsorchester

Photo creddit: Wilfried Hösl


Meet the Musicians
Franz-Strauss-Horn

Franz Strauss (1822-1905) was not only the father of the composer Richard Strauss, but also one of the most renowned horn players of his time, who worked in the Royal Bavarian Court Orchestra, today’s Bavarian State Orchestra, and had a significant influence on its sound. The two horn players Milena Viotti and Johannes Dengler provide insights into the special features of the instrument once played by Franz Strauss.

Termine
Fr 23.12.22
TSCHAIKOWSKI-OUVERTÜREN
Alexei Ratmansky
Tschaikowski-Ouvertüren

Sa 08.04.2023
Mikhail Agrest

Termine
Sa 08.07.2023
Vladimir Jurowski
1. Jubiläumskonzert
Programm
Ceremony 500 years Bayerisches Staatsorchester

The anniversary year of the Bayerische Staatsorchester is ushered in with a ceremony. General Music Director Vladimir Jurowski conducts music by composers whose selections offer a glimpse of the orchestra’s formidable history: Four of Richard Wagner’s operas were premiered in Munich by the Bayerische Staatsorchester, among which one boasts particularly festive sounds: Die Meistersinger von Nürnberg.

500 years ago, Ludwig Senfl, as musicus intonator or musicus primarius, and a few year-round musicians were engaged by the Bavarian Duke Wilhelm IV to collect sheet music, build up a repertoire and perform both ecclesiastical and secular music: this is the birth of an orchestra that was later also presided over by Orlando di Lasso. The popularity of Lasso’s music among Renaissance contemporaries and the composer’s historical significance for music history can hardly be overestimated. Lasso’s last work Lagrime di San Pietro bears impressive witness to this.

But Richard Strauss also conducted the Bayerische Staatsorchester for two years, and the scores of two of his operas were breathed life into for the first time by the Bayerische Staatsorchester. An Alpine Symphony represents the composer’s last symphonic poem and, in its impressive depiction of the ascent and descent of a mountain hike through a gigantic orchestral apparatus, makes programmatic reference to the Bavarian foothills of the Alps.

Termine
Jubiläums-Abschlusskonzert

21. Dezember 2023 19:00 Uhr

Vladimir Jurowski
 

Termine
Fr 31.03.2023
Choosing not to know
Themenkonzert

31. März 2023 19:00 Uhr

Termine
Mi 29.11.2023
20 Jahre
Hermann-Levi-Akademie
Festkonzert

29. November 2023 20:00 Uhr

Termine
Mo 03.07.2023
Dall'Abacos Reisen
Festspiel-Barockkonzert
Zum Termin

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3. Juli 2023 20:00 Uhr

Zum Termin

Termine
So 25.06.2023
Festspiel-Gottesdienst
Festspiel-Gottesdienst
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25. Juni 2023 10:00 Uhr

Zum Termin

Termine
Mo 17.07.2023
Surprise Variations
Festspiel-Nachtkonzert
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17. Juli 2023 20:00 Uhr

OperaBrass

Zum Termin

Termine
Mo 24.07.2023
Renaissance und Früh-Barock
Festspiel-Renaissancekonzert
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24. Juli 2023 20:00 Uhr

Monteverdi Continuo Ensemble

Zum Termin

Termine
So 02.07.2023
ATTACCA
Festspielkonzert
Termine
So 07.05.2023
IL RITORNO / DAS JAHR DES MAGISCHEN DENKENS
Christopher Moulds
Il ritorno / Das Jahr des magischen Denkens
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7. Mai 2023 19:30 Uhr Premiere

Christopher Moulds
Christopher Rüping

Zum Termin

Termine
Mo 26.06.2023
HAMLET
Vladimir Jurowski
Hamlet
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26. Juni 2023 19:00 Uhr Premiere

Vladimir Jurowski
Neil Armfield

Zum Termin

Termine
Sa 29.04.2023
Eine Tuba kommt selten allein
Eine Tuba kommt selten allein
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29. April 2023 18.00 Uhr

Zum Termin

Termine
Do 22.06.2023
Tangoabend
Tangoabend

10. Juni 2023 18:00 Uhr

Ensemble Sentimentale

Zum Termin

Termine
Sa 13.05.2023
Samba für alle
Samba für alle
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13. Mai 2023 18.00 Uhr

Zum Termin

Termine
Sa 27.05.2023
Around the world
Musik und Tänze aus aller Welt
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 27. Mai 2023 18.00 Uhr

OperaBrass

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Termine
So 25.06.2023
Alles kommt zusammen
Alles kommt zusammen
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25. Juni 2023 18:00 Uhr

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Termine
So 29.01.2023
DIDO AND AENEAS ... ERWARTUNG
Andrew Manze
Dido and Aeneas ... Erwartung
Termine
So 05.03.2023
KRIEG UND FRIEDEN (WOINA I MIR)
Vladimir Jurowski
Krieg und Frieden (Woina i mir)
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5. März 2023 17:00 Uhr Premiere

Vladimir Jurowski
Dmitri Tcherniakov

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Termine
Fr 31.03.23
SCHMETTERLING
Sol Léon
Paul Lightfoot
Schmetterling
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31. März 2023 19:30 Uhr Premiere

Sol León und Paul Lightfoot

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Termine
Sa 15.07.2023
SEMELE
Stefano Montanari
Semele
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15. Juli 2023 18:00 Uhr Premiere

Stefano Montanari
Claus Guth

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Termine
Fr 23.06.23
SPHÄREN.01|GOECKE
Sphären.01
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23. Juni 2023 19:30 Uhr Premiere

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Termine
Mo 20.03.2023
Hermann-Levi-Akademie
1. Kammerkonzert der Hermann-Levi-Akademie
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20. März 2023 19:00 Uhr

Hermann-Levi-Akademie

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Termine
Mo 12.06.2023
Hermann-Levi-Akademie
2. Kammerkonzert der Hermann-Levi-Akademie
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12. Juni 2023 19:00 Uhr

Hermann-Levi-Akademie

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Termine
So 14.05.2023
Ein Hörnerfest
6. Kammerkonzert 2022/23
Termine
Do 07.09.2023
Vladimir Jurowski
Südtirol Festival Merano
500th Anniversary Tour

07th September 2023

Venue: Südtirol Festival Merano, Kursaal Meran

Vladimir Jurowski, Conductor
Yefim Bronfman, Piano

Programme:

Richard Wagner
Prelude Tristan und Isolde

Robert Schumann
Piano Concerto A minor op. 54

Anton Bruckner
Symphony No. 4 E-flat major Romantic

Termine
Do 14.09.2023
Vladimir Jurowski
George Enescu Festival
500th Anniversary Tour

14th September 2023

_Venue: George Enescu Festival, Bukarest, Sala Palatului

Vladimir Jurowski, Conductor
Vilde Frang, Violin

Programme:

Anatol Vieru
Écran

Alban Berg
Violin Concerto To the Memory of an Angel

Richard Strauss
An Alpine Symphony op. 64

Termine
Fr 22.09.2023
Vladimir Jurowski
Brucknerfest Linz
500th Anniversary Tour

22nd September 2023
Venue: Brucknerfest Linz, Brucknerhaus Linz

Vladimir Jurowski, Conductor
Yefim Bronfman, Piano
Elsa Dreisig, Soprano

Programme:

Richard Wagner
Prelude Tristan und Isolde

Robert Schumann
Piano Concerto A minor op. 54

Gustav Mahler
Symphonie No. 4 G major

Termine
Mo 15.05.23
AIDA
Daniele Rustioni
Aida
Termine
Mo 22.05.2023
Di 23.05.2023
Vladimir Jurowski
6. Akademiekonzert 2022/23
Termine
So 23.04.2023
Der Münchner Klarinetten Olymp
5. Kammerkonzert 2022/23
Termine
Mo 17.04.2023
Di 18.04.2023
Robert Jindra
5. Akademiekonzert 2022/23
Termine
So 13.03.2023
Musik um Richard Strauss
4. Kammerkonzert 2022/23
Termine
Do 27.07.2023
Recital Pascal Deuber
4. Festspiel-Kammerkonzert
Termine
Mo 06.02.2023
Di 07.02.2023
Zubin Mehta
4. Akademiekonzert 2022/23
Termine
Mi 19.07.2023
Mozart und die Münchner Hofkapelle
3. Festspiel-Kammerkonzert
Termine
Do 30.03.2023
Vielfalt und Gerechtigkeit
Themenkonzert
Termine
So 08.01.23
Vladimir Jurowski
3. Akademiekonzert 2022/23
Bayerische Staatsoper Recordings veröffentlicht hatte, folgt jetzt die Uraufführung einer Auftragskomposition bei dem australischen Komponisten: Nocturnes and Night Rides. Mit den diesjährigen Münchner Opernfestspielen kommt außerdem seine Oper Hamlet auf die Bühne des Nationaltheaters. 

Zum Termin

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Als „Akademien“ wurden schon im 18. und 19. Jahrhundert (oft privat organisierte) Konzerte bezeichnet. Der Münchner Verein Musikalische Akademie e. V. wurde 1811 aus der Mitte des damaligen Hofopernorchesters gegründet. Damit etablierten die Musiker die erste symphonische Konzertreihe Münchens.

Anders als beim Festakt enthält das Programm des 3. Akademiekonzertes ein zweichörig komponiertes Instrumentalwerk des venezianischen Komponisten Giovanni Gabrieli, der in München bei Orlando di Lasso studierte und als Schlüsselfigur an der Schwelle von Renaissance- zu Barockmusik später selbst Komponistengrößen wie Heinrich Schütz unterrichten sollte.

Das Bayerische Staatsorchester erhält nicht nur die großen Werke der letzten Jahrhunderte am Leben, sondern fühlt sich auch der Neuen Musik verpflichtet: Nachdem es unter seinem Generalmusikdirektor Vladimir Jurowski 2020 bereits sehr erfolgreich Brett Deans Testament aufgeführt und im hauseigenen CD-Label Bayerische Staatsoper Recordings veröffentlicht hatte, folgt jetzt die Uraufführung einer Auftragskomposition bei dem australischen Komponisten: Nocturnes and Night Rides. Mit den diesjährigen Münchner Opernfestspielen kommt außerdem seine Oper Hamlet auf die Bühne des Nationaltheaters. 

Zum Termin

Termine
So 19.11.2023
Große Streichsextette
2. Kammerkonzert 2023/24
Termine
Mo 06.11.23
Di 07.11.23
Kent Nagano
2. Akademiekonzert 2023/24
Termine
Do 13.07.2023
Cellissimo
2. Festspiel-Kammerkonzert
Termine
So 26.03.2023
Die Zukunft wartet nicht
Themenkonzert
1. Festspiel-Kammerkonzert
Termine
So 08.10.2023
Mo 09.10.2023
Di 10.10.2023
Kirill Petrenko
1. Akademiekonzert 2023/24
Termine
Mo 09.01.2023
Di 10.01.2023
Vladimir Jurowski
3. Akademiekonzert 2022/23
Termine
Passionskonzert
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